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AU62: Snow Patrol album review

April 4, 2010

Yeah, I don’t like them much these days…

SNOW PATROL
UP TO NOW
FICTION

Speaking to Gary Lightbody for this issue’s cover feature, it’s striking just how sure he is that Snow Patrol are getting better and better all the time. It just isn’t true. If anything, it’s been downhill ever since Final Straw, and this compilation is aural proof. Take the new single ‘Just Say Yes’, one of three brand new songs among the 27 other singles, album tracks and rarities jumbled up for your delectation. Put simply, the band sound like a lobotomised The Bravery. It’s limp, phoned-in rubbish and the attempt to whack a load of synths onto it in the apparent belief that it makes them sound relevant and edgy is outright laughable.

Then consider the band’s recent singles – ‘Crack The Shutters’, ‘The Planets Bend Between Us’, ‘Take Back The City’ (okay, kudos for managing to fit in two different choruses on that one). Can anyone honestly, with a straight face, claim that these songs, slick as they are, hold a candle to the classic ‘Starfighter Pilot’ (a sister song to Ash’s ‘Angel Interceptor’ and a close cousin of ‘Teenage Kicks’), ‘Ask Me How I Am’, or ‘On/Off’? And that’s just the early tracks that made it onto this compilation – whither ‘One Night Is Not Enough’, ‘Wow’ and the sumptuous ‘If I’d Found The Right Words To Say’?

And before you start moaning, this isn’t about snobbery or jealousy. The career-making Final Straw deserved its success, and it’s represented by three very good songs in ‘Spitting Games’, ‘Chocolate’ and ‘Run’ (two versions). But, as much as Lightbody denies it (and he does), you can’t shake the notion that the runaway success of ‘Run’ has mapped out the rest of the band’s career for them. Suddenly, Lightbody finds himself capable of writing glossy, radio-friendly anthems, and the crunchy rockers and scratchy indie-pop of old – full as they are of wit, charm, subtlety, heart and soul, can get stuffed. Hence, the execrable ‘Chasing Cars’.

Hearing all of this gloop mixed in among the best of their work makes for an entirely dispiriting experience, and that’s before you even consider all the great songs that have had to make way for the likes of ‘Hands Open’ (in which it sounds like they literally can’t wait to wheel out the chorus) and ‘Signal Fire’. Up To Now can only be recommended as an entry point for people that think the band formed in 2004. But it’s best avoided, really. Chris Jones

4/10

DOWNLOAD: ‘SET THE FIRE TO THE THIRD BAR’ (AS PROOF OF A GOOD LATTER-DAY SONG), WHEN IT’S ALL OVER WE STILL HAVE TO CLEAR UP.
FOR FANS OF: COLDPLAY, KEANE, MAROON FUCKING 5.

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One comment

  1. Final Straw set the bar quite high for SP. Maybe its just as case of lowering expectations for a few years… and then bam! an awesome album comes on. It’ll be like their Nu-Clear Sounds…



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